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Forsíða

Þórhallur Magnússon - Rannsóknaprófessor

Þórhallur Magnússon

–

Hugvísindasvið

Þórhallur Magnússon

Rannsóknaprófessor

Rannsóknaprófessor

Aðsetur
Veröld - Hús Vigdísar / VHV-222
Tölvupóstur
thormagnusson [hjá] hi.is

Starfseining
Heimspekistofnun
Vefsíða
https://thormagnusson.github.io

ORCID vefsíða
https://orcid.org/0000-0002-3731-0630
Rannsóknagátt – Þórhallur Magnússon

Útgefið efni

2024

StaccoProceedings of the International Conference on New Interfaces for Musical Expression
Querying the GhostProceedings of the International Conference on New Interfaces for Musical Expression
About TIMEProceedings of the International Conference on New Interfaces for Musical Expression
TölveraProceedings of the International Conference on New Interfaces for Musical Expression
Embodied Sketching for Neural Synthesis
The Organium
TungnaáProceedings of the International Conference on New Interfaces for Musical Expression

2023

Design Process in Visual Programming
Magnetic Interactions as a Somatosensory Interface
Sculpting Algorithmic Pattern
The Magnetic Score: Somatosensory Inscriptions and Relational Design in The Instrument-Score
EditorialOrganised Sound

2022

Reflexions upon Feedback
MusIAC: An Extensible Generative Framework for Music Infilling Applications with Multi-level Control
The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument
Embedded AI for NIME: Challenges and Opportunities
Autocoder
Live coding: a user's manual

2021

Designing the Threnoscope, or, How I Wrote One of My Pieces
Assessing the Support for Creativity of a Playground for Live Coding Machine Learning
The migration of musical instruments: On the socio-technological conditions of musical evolutionJournal of New Music Research
Introduction to the special issue on socio-cultural role of technology in digital musical instrumentsJournal of New Music Research
Curating experience: Composition as cultural technology – a conversationJournal of New Music Research

2020

Designing for a pluralist and user-friendly live code language ecosystem with Sema
Instrumental investigations at the Emute lab
A signal engine for a live coding language ecosystemAES: Journal of the Audio Engineering Society
Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instrumentsOrganised Sound
ErratumOrganised Sound
Scoring Sound: Creative Music Coding with SuperCollider
Digitizing the txalaparta: Computer-based study of a traditional practiceComputer Music Journal
Threnoscope
Live coding machine learning and machine listening: a survey on the design of languages and environments for live coding

2019

Composing spatial soundscapes using acoustic metasurfaces
Ergodynamics and a semiotics of instrumental compositionTempo
An AudioWorklet-based signal engine for a live coding language ecosystem
Echoes of other worlds: sound in virtual realityInternational Journal of Performance Arts and Digital Media
Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions

2018

Sound and Music in Networked Media
Ergomimesis: towards a language describing instrumental transductions
Brain Dead Ensemble
Performing with Patterns of Time
Brain Dead Ensemble

2017

Contextualizing Musical Organics
Interfacing sound: visual representation of sound in musical software instruments
Musical Organics: A Heterarchical Approach to Digital OrganologyJournal of New Music Research

2016

Writing with shaky handsInternational Journal of Performance Arts and Digital Media
Generative Music: A Form without a Format
Notating the non-notateable: digital notation of txalaparta practice
Editorial: On the technology of liveness
Writing with shaky hands
Proceedings of the 2016 International Conference on Live Interfaces

2015

Code scores in live coding practice
Sight and sound: visualizing music in software instruments

2014

Improvising with the threnoscope: integrating code, hardware, GUI, network, and graphic scores
Scoring with Code: Composing with algorithmic notationOrganised Sound
From a music industry to sound industries
Herding cats: Observing live coding in the wildComputer Music Journal

2013

The threnoscope: a musical work for live coding performance
On creativity and calculation: attempts at and rejections of formal definitions of creativity [Review] editors: Jon McCormack and Mark d’Inverno (2012) Computers and creativityComputational Culture

2011

THE IXI LANGInternational Computer Music Conference, ICMC Proceedings
Algorithms as scores: Coding live musicLeonardo Music Journal
Interface investigations: the thinking behind tools for musical thinking
When instruments become architecture: on liquefying frozen music
The musical score: the system and the interpreter
Confessions of a live coder
Confessions of a live coderInternational Computer Music Conference, ICMC Proceedings

2010

An epistemic dimension space for musical devices
Designing constraints: Composing and performing with digital musical systemsComputer Music Journal
Sobre como emborrachar un ordenadorSonic Ideas
Fermata: Live Coding PerformanceSkyler and Bliss Original Citation Adkins, Monty and Segretier, Laurent (2015) Skyler and Bliss. In: xCoAx 2015: Proceedings of the Third Conferenc on Computation, Communication, Aesthetics and X. Universidade do Porto, Porto

2009

Epistemic tools: the phenomenology of digital musical instruments
Of epistemic tools: Musical instruments as cognitive extensionsOrganised Sound
The phenomenology of musical instruments: a surveyeContact

2007

The acoustic, the digital and the body: A survey on musical instruments
The ixiQuarks

2006

The ixi Instruments as semiotic machines
Screen-based musical interfaces as semiotic machinesProceedings of the International Conference on New Interfaces for Musical Expression
Affordances and constraints in screen-based musical instruments

2005

Ixi softwareProceedings of the International Conference on New Interfaces for Musical Expression
IXI software

2003

Lunarly visible